平丸陽子は、目に見えずとも存在するもの、気配や空気、光をテーマに制作を続けてきました。

当ギャラリーで2回目となる本展では、「呼吸 / breath」と題し、呼吸のように形はないけれど感覚として得るものを視覚的に
捉える試みを発表します。

 

近年では、透明感のある絵の具を用い、下に置いた色が透けて見える手法をとることで、絵画空間に奥行きを感じさせる作品を多く発表。

根気よく繰り返される筆跡には、そのひとつひとつに微妙な色彩の変化があり、まるでそれぞれが小さく呼吸をする細胞のようにも見えます。

絵画が閉じられたものではなく、空間と呼応し、互いの領域を越えていく。

 

「絵画が空間に与える影響を意識して制作している」と語る平丸の新作を、この機会にぜひ、ご高覧ください。

 

 

Yoko Hiramaru has been working on the theme of things that exist even though we cannot see them, such as presence, air, and light.

In this second exhibition at the gallery, titled "breath," Yoko Hiramaru will present an attempt to visually capture something that has no form, like breathing, but which can be felt as a sensation.
The exhibition will present an attempt to visually capture something that has no form but can be obtained as a sensation, like breathing.

 

In recent years, he has used transparent paints to create a sense of depth in his paintings by using a technique in which the colors placed underneath can be seen through the paintings.

Each of his patiently repeated brushstrokes has subtle changes in color, each of which looks like a small, breathing cell.

The paintings are not closed, but rather respond to the space and transcend each other's territory.

 

Hiramaru says, "I am conscious of the influence of the paintings on the space.

 

 

Exhibition view : wallstokyo NEWS